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‘Creativity in Color’ - exhibition at Museo Ferragamo

I am actually becoming a workaholic. Last week I spent days staying in studio till 2 am almost every day. This is why I am loosing contact with the world and I am not posting on the blog.

Fortunately some friends of mine are still alive and give me some good tips. For Example Francesca has forwarded onto me a link to the Ferragamo exhibition, inaugurated on Jun 20th in Florence.

The Ferragamo flagship on Santa Trinita, in the heart of Florence, houses more than designer shoes and bags. It is also home to the newly renovated design museum, Museo Salvatore Ferragamo. In The most recent exhibition there is Creativity in Color, curated by Stefania Ricci. Continue reading ‘‘Creativity in Color’ - exhibition at Museo Ferragamo’

London 2012 Logo

Something that everyone is talking about this week in London is the logo for 2012 Olympics.

The dramatic new logo was unveiled on Monday - in the most significant move since London won the race to host the Games.

The bold jagged emblem based on the date 2012 comes in a series of very bright shades of pink, blue, green and orange in a modern take on the Olympic colours. The word London and the all-important Olympic rings are included in the first two digits.

The organisation said that the new emblem aims to be “dynamic, modern and flexible” and “will work with new technology and across traditional and new media networks”.

Apparently nobody apart from the organisation seems to like it. Read here for more comments
My friend Veronica was wondering why they are promoting it in this pink/ fucsia shade. Why fucsia? Any idea?

The Daily Slurp - Colour search

Every day, at work, I have a look to the ‘Daily slurp‘ for both duty and fun.

It is simply a daily dose of sites to check out. It is all about visual appeal and it is designed to provide the fastest way possible to survey freshly designed web sites on the web.

One of the feature I prefer is the Colour Search that allows the user to search the full database of sites on Daily Slurp for sample by color. It’s really useful and inspiring. Check it out!

Amazing article from ColourLovers

I have just found an interesting article published on ColourLovers blog. It’s about 11 Colour Legends.

From the website:

“Some colors become huge successes early on and then fade off into obscurity… while other colors go the distance and become international icons. Here we look at 11 of the great color legends… Stop Sign Red, Horny Green M&Ms, Black Death, Blue Sky…”

read the entire article here

Seeing Red

book coverToday I was reading a review about a book, ‘Seeing Red’ by Nicholas Humphreys.

Humphreys is School Professor at the Centre for Philosophy of Natural and Social Science, London School of Economics.
He has published several philosophical works on consciousness. ‘Seeing Red’ is one of these.

From Harvard University Press website:
“Nicholas Humphrey begins this compelling exploration of the biggest of big questions with a challenge to the reader, and himself. What’s involved in “seeing red”? What is it like for us to see someone else seeing something red?

Seeing a red screen tells us a fact about something in the world. But it also creates a new fact–a sensation in each of our minds, the feeling of redness. And that’s the mystery. Conventional science so far hasn’t told us what conscious sensations are made of, or how we get access to them, or why we have them at all. From an evolutionary perspective, what’s the point of consciousness?
Continue reading ‘Seeing Red’

A BIT O’ WHITE

A couple of friends of mine (Gianpaolo e Michela) came to London last weekend. They had with them La Repubblica women magazine ‘D’. While I was running my eye over this familiar pubblication, I found quite an interesting news.

The Center for Contemporary Non-Objective Art in Bruxelles presents the group exhibition A BIT O’WHITE.

From CCNA website

“The color phenomenon WHITE has long served as a subject of symbolism in religion, metaphysical thinking and literature, as well as in scientific and philosophical research. But it was not until the beginning of the last century, with the work of Kasimir Malevich, that WHITE in its radical form of expression first entered the world of the visual arts. Since this early, strong, seminal and - in his case utopian – statement the use of the color/material WHITE has become an integral part of artistic practice either in its pure form or as part of a broader frame of reference (De Stijl, Arp, Rauschenberg, Manzoni, LeWitt, Ryman, Group Zero, etc.). Continue reading ‘A BIT O’ WHITE’

The Concretes, In-Colour

the concretesThis image looks like a thumbnail but it took me ages to take it with screenshot pilot! Anyway I think The Concretes last album website is gorgeous. Every colour option reminds me the trend boards that my friend Veronica compose for colour forecasting. Do you have the same feeling pupas? Have fun!

Projected Light & Colour at Optronica

Today Tita and I should have gone to Optronica to see this

PROJECTED LIGHT & COLOUR: EARLY VISUAL MUSIC COLOUR ORGANS & LIGHT SHOWS

Unfortunately I feel very tired after yesterday (it’s San Patrick’s fault) and we couldn’t make it. However I still think the programme of the talk is very interesting.

“From the first known colour organ experiments in the 1700s, to Oskar Fischinger’s multiple projector light shows of the mid 1920s, through to some legendary 1960s light shows; key examples of visual music’s long, rich but little known history will be explored in this talk. Presented by Cindy Keefer from the LA based Center for Visual Music and illustrated by slides and rare film footage, the talk contextualises colour organs and light shows as precursors to modern VJ and audiovisual culture. Continue reading ‘Projected Light & Colour at Optronica’

Spin Cycle, color turntable

My friend Francesca has just posted on Neural an interesting review about Spin Cycle, a turntable that allows the user to navigate color and aural spaces by Spencer Kiser.

“It’s a plain ordinary turntable, surmounted by a webcam. On the same turntable, there are some colored plexiglass discs (shoot by the camera). Depending on chromatic combinations and on the dj’s juxtapositions, sounds are produced. During the performance the resulting chromatic mix is projected onto a wall or on a computer monitor while the sounds are played in the same environment. Continue reading ‘Spin Cycle, color turntable’

Colorcodes: how barcodes become art

Hi Guys, sorry for disappearing. I have just started a new job and I am freaking out, working 10/11 hours per day. I would have loved to update the blog, however these days have been crazy. Please be patient. I will try to keep the rythm - I promise!

Brain Tiong has just launched a new project with Singapore Press Holding. Colorcodes evolves the idea of the semacode and weaves it with color and design. People with the right mobile phones are able to scan these codes with their camera, ping it to a site and receive all sorts of, mainly marketing, goodies.

The site says:

“ColorCodes can be as small as 1 square cm, and as big as your imagination. A ColorCode’s™ pattern potential is determined by the number of color cells it encompasses. In a standard, four-color 5 x 5 cell code, more than 17 billion patterns can be created. Continue reading ‘Colorcodes: how barcodes become art’

Blue Food

This weekend I ate too much. This is why I am going to start my blue food diet! Why?

Because as Color Mattes (the useful website where I also found this picture of ‘musubi’) reports , of all the colours in the spectrum blue is an appetite suppressant. Weight loss plans suggest putting your food on a blue plate. Or even better than that, put a blue light in your refrigerator and watch your munchies disappear. Or here’s another tip: Dye your food blue! Dramatic results can also be achieved by using a blue light bulb for your dining area.

Blue food is a rare occurrence in nature. Aside from blueberries and a few blue-purple potatoes from remote spots on the globe, blue just doesn’t exist in any significant quantity as a natural food colour. Consequently, we don’t have an automatic appetite response to blue. Furthermore, our primal nature avoids foods that are poisonous. A million years ago, when our earliest ancestors were foraging for food, blue, purple and black were “color warning signs” of potentially lethal food. Blue is often associated with alkaline conditions, whereas most organic life is mildly acidic. Food scientists have conceded that there are no natural food dyes of a blue colour1, and yet psychological research has concluded that blue is a relaxing colour with a positive influence on mental and physical performance. Nevertheless, there are a few brave foodstuffs that daringly cross the boundaries and promote themselves, bravely, as blue. Check the list in this article Continue reading ‘Blue Food’

American Apparel

When I am off work today I am going to buy some t-shirts. Even if it’s against my ‘2007 save money’ project, I will probably go to American Apparel ®.

I might say that the choice is due to the store being very close to my office, to their quality fabrics or their policy.

The truth is that I have a craving for the colours they use. Continue reading ‘American Apparel’

Jody Turner: Design and Color Trends

Jody Turner is CEO of Culture of Future a trend and design culture consultancy in Los Angeles. She works with strategic trend partners Kathy Baylor in NYC, Reinier Evers in Amsterdam and Style Vision in France.
Culture of Future is currently working with Liz Fried in NYC and Paul Bennett in London on a “brand is dead” business and trend handbook.

Thanks to Vronili, as usual, I found this article published on Apple website about ‘Design Color Trends’.
I do agree with Jodi when she says that brand ideals are shifting from a primary focus on iconographic hierarchy to a sideways, organic relationship with consumers.

Copied and pasted below.

“Culture is moving from homogeneous expressions to an era of overlapping influences, creating a “co-creation culture.” As trends move out of focus, consumers are not discarding them as new trends move in. Rather, they are keeping bits, discarding others and redefining them on their own terms. Consumer choices are influencing design and color industries in brand new ways.

Continue reading ‘Jody Turner: Design and Color Trends’

Is Pantone a Monopoly?

I know I know I have already posted twice about Pantone. In those occasions (1 and 2) admitted that their website is a massive source of inputs.

However I don’t want to be misunderstood and look too enthusiast about it. Thus I am posting an article written by J.C. Hertz and published on Wired in 2002 (it’s not the most recent I am afraid). It’s about Pantone as a monopoly and it looks into what Chromophlia project was intended to explain: colour forecasting process.

Living Color by J.C. Hertz

“The Pantone factory is to color what Willy Wonka’s is to candy. Rising up from the New Jersey marshlands, the 80,000-square-foot plant turns out millions of paint chips and fabric swatches a year. In the testing lab, a mad-science contraption pumps rainbows of liquid through dozens of clear tubes into shiny steel canisters. On the factory floor, 30-yard bolts of fabric churn in steaming baths of orange, purple, and blue. A printing press squirts 72 inks at once onto seemingly endless reams of paper, which emerge brilliantly striped, each hue stamped with its number and ink-mixing formula in tiny black type.

Bound into flip books and binders and decks of swatch cards, these reference strips are the color genome of consumer culture. Pantone codes define the shade of every car, sneaker, and corporate logo. Starbucks green, Gap blue, and Barbie pink are the same everywhere for a reason. Pantone’s system ensures that 16-1359 Orange Peel in Germany is identical to 16-1359 Orange Peel in Brazil, that an ad campaign launched on Madison Avenue color-matches the cell phones manufactured in China. If color is a language, Pantone is the Oxford English Dictionary — thousands of shades, from almond blossom to walnut, that can be printed, woven, or extruded anywhere in the world. Continue reading ‘Is Pantone a Monopoly?’

Colorstrology

According to Colorstrology, a tool developed by Pantone and written by Michele Bernhardt, my personal colour is Sky Blue (Pantone 14-4318). This is why I am an instrument of light and love. I am a highly principled with a refined nature and anything that is crude or base is antagonistic to my sytem. I have a strong sense of fair play and find it difficult to associate with people who are unscrupulous. Whether I am viewing works of art or creating them myself, I have a good eye for detail. My personal colour embodies the qualities of peace and calm. Wearing, meditating or surrounding myself with Sky Blue helps my pierce through hurt and anger and aligns with vision and possibility. Continue reading ‘Colorstrology’