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Colour and space

body of colour

So I finally visited Hélio Oiticica’s retrospective (The body of colour) at the Tate Modern and was happy to find exactly what I was looking for. Full colours on display: first used through the traditional medium of paint on canvas and board, and as Oiticica became more and more interested in the relation between colour and space, the pigments were applied on sculptures (or ‘Spatial reliefs’ as the artist titled them), then on assembled objects and in the shape of colour powder. In the end Oiticica gathered all his experience and came up with the series called Parangolé.

In the exhibition leaflet Ann Gallagher writes: “Oiticica reached a crucial point in his integration of colour, structure, time and space with the Parangolé series: banners, capes and tents constructed from a variety of materials, including fabric, plastic, mats, screens and ropes. He began to develop these flexible colour structures as a result of his involvement with the people of Mangueira Hill, a Rio de Janeiro shanty town, and they encouraged his immersion into the world of traditional Brazilian samba. The Parangolé, designed to be worn or carried while Continue reading ‘Colour and space’

The Body of Colour

OiticicaMonths ago I mentioned Hélio Oiticica retrospective, The Body of Colour, at Houston Museum of Fine Arts, and only yesterday I realised that the exhibition is travelling to Tate Modern! Oiticica’s works will be on display from June 6 until September 23.

From Tate’s website:

Hélio Oiticica (1937–80) was one of the most innovative Brazilian artists of his generation and has come to be acknowledged as a significant figure in the development of contemporary art. Among his achievements was the original and uncompromising use of colour that was central to his practice, and thisis the first large-scale exhibition focusing on this key element in his work. Featuring more than 150 works, the exhibition includes several key series from 1955 onwards, some of which have not been seen publicly for more than thirty years.

Turrell in London

Tomorrow I’ll visit A Life in Light, James Turrell’s exhibition at the Louise T Blouin Foundation. I wish Joanna could be in London, I think she’d like to come along!

Turrell

Buren in London

daniel buren French artist Daniel Buren (b. 1938) uses colour contrasts to create minimal installations, which tend to disorientate whoever happens to walk through them. He likes straight lines, which he paints on large walls, canvas, plexiglas, and various other media. I was lucky enough to visit his show at Centre Pompidou five years ago, and I would recommend to anyone who’s around London to see his new exhibition at Lisson Gallery, May 18-June 23. I’ll definitely go!

[Image via Paris-art, D. Buren, Le Musée qui n’existait pas, Centre Pompidou June-Sept 2002]

Denim+colour=?

topshop jeanstopshop jeansNew season, new trends. Is it just me or bright colours have taken over denim? I suspected it when, walking around Top Shop, all I could see were skinny jeans in red and light blue. Then the snowball effect: they’re everywhere! Personally, I don’t mind the red and blue ones, but I doubt we’ll see many people wearing LIME GREEN high-waisted skinnies (Ksubi jeans). Not really flattering, are they? Guardian’s journalist Hadley Freeman wrote a funny article (Apr 30, G2) about this highly important issue.

[Images via topshop]

Pinko color theory

Pinko Color TheoryItalian fashion company Pinko has launched a new line of t-shirts and vests called Color Theory.

The company’s website states: ‘We have created this range of monochromatic Pinko T-shirts in a range of exclusive shades starting out from the observation that, in every day life, stars love to wear simple and comfortable T-shirts and vests. The result is Pinko Color Theory - one color, one emotion, one T-shirt. One color, because everyday life is made up of clear-cut decisions. One emotion, because each color can be associated with a state of mind or character trait. One T-shirt in original packaging: a tin that recalls a paint can.’

According to Pinko the following colours mean… Continue reading ‘Pinko color theory’

Mang-one bags

Mango+PantoneYesterday I went to see the exhibition Face of Fashion at the National Portrait Gallery in London (open until 28 May 2007). Beautiful pictures of Paolo Roversi, Mario Sorrenti and other fashion photographers, definitely a good show.

Afterwards I was walking around Neil street and noticed Mango’s shop window. PANTONE BAGS! I guess stools were not enough.

[photo by giovanna]

Travels through colour

Finlay V., ColourJanuary has been the month of books, so let’s close it with a volume on ‘travels through the Paintbox’. Colour (2002), by Victoria Finlay, is an extensive investigation of the origins and histories of colours and hues through Europe, Asia, Australia, America. Finley, expert journalist and traveller, has an intriguing way of linking different experiences jumping from a continent to the other without loosing the reader’s interest. Raw and beautiful ochre from remote Australia, the mysteries of black and toxic white, red, orange, yellow, green and more.

The following is a passage from the third chapter, White:

It took 100 tonnes of lime to allow the world’s most famous white-coloured house to breathe, and it covered it in style. By 1800, when the new President’s House was opened, it was the talk of the newly named city of Washington. It was the greatest home in America, and workmen were constantly being diverted by members of the public wandering in to watch the place being finished. It was to be a classical building, the freemason founders of America has decided - and should therefore be white like the ancient Greek buildings they so admired. Continue reading ‘Travels through colour’

New Pantone book

Pantone book 2007

A new book on colour published by Pantone will be out February 23. Written by well-known colour consultant Leatrice Eiseman (head of Color Expert) Colour: messages and meanings is a follow up to her previous book Pantone guide to communicating with color (2000). Sounds like a good new entry for my colour library, which is growing steadily. Will post a proper review!

Blue book

Blue, history

Written by Michel Pastoureau and published in 2001 by Princeton University Press, the book Blue, the history of a color is a fascinating study on meaning, symbolism and traditions associated with blue. This colour can represent purity, sophistication, power, authority. Coming from a Catholic country, I tend to identify a specific hue of blue with the Virgin Mary, at least when thinking about religious iconography. In the tradition Mary was always portrayed wearing blue robes, symbol of virtue and majesty. One of the most interesting aspects of colour theories is the study of how colours are perceived by different cultures and religions.
Also, I found out that Pastoureau wrote a book titled The Devil’s Cloth: A History of Stripes and Striped Fabric which was recently suggested to me. Sounds like an interesting read!

Add colour to light

metacolor artemide tian xia artemide

Light is a cardinal element for any environment, from habitation to work, from museums to shops. The introduction of colour in lightning aims to create a specific atmosphere, e.g. to stimulate creativity or reduce stress. Also, shaping a space with coloured light could be a perfect way to improve a dull and minimal room. Architects and designers have lately been focusing on the use of colour, as shown by a very interesting issue of the Italian magazine Area, (’Colors’, no.85, March/April 2006). An example of such interest is the production of multi-coloured lights by Artemide, which came up with pieces like ‘Metacolor’ (by Ernesto Gismondi, 2001) and ‘Tian Xia’ (by Carlotta de Bevilacqua, 2004). Metacolor is part of Artemide’s My White Light series (2006), a project which “allows users to pass from the world of white light to the world of colour (…) by turning the remote control around” (via Artemide). Basically the idea is to give the choice of modulating colours according to one’s mood, or specific use. Something similar to ‘Mediterraneo‘, multicolored chandelier designed by Gaetano Pesce.

[Pictured on left ‘Metacolor’, right ‘Tian Xia’, by Artemide]

Add colour to ads

Bravia ad stillEveryone’s talking about it and I’m quite frustrated because I don’t own a TV set and it’s been a while since I went to the cinema. What am I talking about? The new Sony Bravia ad, of course. They even set up a whole website celebrating this monumental explosion of colours. And there’s a game that mimics the set of the ad. It’s fun, but I still find it difficult to colour 20% of the tower!

Sonia’s colours

Skira, SoniaThis year Father Christmas (actually Mother Christmas!) brought me a very interesting book on Sonia Delaunay (1885-1979), Ukrainian artist who explored the potential of colour using various media. Sonia Delaunay, Atelier Simultané 1923-34 focuses on her textile designs, which are considered among the most influential contributes in the sector. Together with her husband Robert, Sonia founded the movement known as Orphism, characterised by the use of strong colours and contrasts, which inspired her in the creation of beautiful garments. The book, published by Skira and curated by Annette Malochet and Matteo Bianchi, is the catalogue of the homonymous exhibition held at Museo Villa dei Cedri (Bellinzona) between April and June 2006.

Photography: colour vs. b&w

Russell LeeLast chance to see Bound for Glory, America in Colour 1939-1943 at the Photographer’s Gallery (until 28 January).

“Taken over sixty years ago, these colour photographs offer a fresh perspective on one of the most important periods of recent photographic and social history. In 1930s & 40s America one third of the population were ‘ill clothed, ill housed and ill-fed’. Until now the grinding poverty of the time has been epitomised by the iconic black and white images of Dorothea Lange, Walker Evans and others, so these colour images by Marion Post Wolcott, Russell Lee and Jack Delano have an almost shocking immediacy and freshness bringing to life the human cost of the Depression. During this time, photographers were employed by the FSA (Farm Security Administration) to garner support for President Franklin D Roosevelt’s New Deal by revealing the poverty of primarily rural America. The initial black and white images were intended to educate the wider population about the problem. Then from 1939 colour photographs were taken to show the improvements the New Deal had made, whilst acknowledging that there was still work to be done. These startling images were made possible by the newly developed Kodachrome colour film.” (via Photographer’s Gallery, photo: Russell Lee, 1940, Faro and Doris Caudill, homesteaders, Pie Town, New Mexico)

Have a look at the history of Kodachrome colour film.

Giant coloured jellyfish

Mediterraneo by Pesce 1
Wallpaper’s February issue is entirely dedicated to the Best Design Awards. Included in the categories there’s the Best Oddity, which was won by ‘Mediterraneo’, a chandelier created by Italian designer/artist Gaetano Pesce for Swarovski Crystal Palace. Nick Compton writes in Wallpaper: “Given Pesce’s long passion for primary colours and wild plasticity, his offering was never going to glow gently into that good night. And so it turned out. At first glance, ‘Mediterraneo’ looks like a rather traditional chandelier. But then it starts to shift, move, breathe, dance, talk and even give off aquatic scents. It has 140 strands, each made up of 87 LED-illuminated Swarovski crystals that change in colour and radiance, and it can be remotely instructed to ebb, flow, glow, bulge and balloon, as you, the entranced viewer, gaze up at the giant jellyfish of your dreams, or nightmares.”

Mediterraneo by Pesce 2

[’Mediterraneo’ as seen at the Crystal Palace show, photos via designboom]