
So I finally visited Hélio Oiticica’s retrospective (The body of colour) at the Tate Modern and was happy to find exactly what I was looking for. Full colours on display: first used through the traditional medium of paint on canvas and board, and as Oiticica became more and more interested in the relation between colour and space, the pigments were applied on sculptures (or ‘Spatial reliefs’ as the artist titled them), then on assembled objects and in the shape of colour powder. In the end Oiticica gathered all his experience and came up with the series called Parangolé.
In the exhibition leaflet Ann Gallagher writes: “Oiticica reached a crucial point in his integration of colour, structure, time and space with the Parangolé series: banners, capes and tents constructed from a variety of materials, including fabric, plastic, mats, screens and ropes. He began to develop these flexible colour structures as a result of his involvement with the people of Mangueira Hill, a Rio de Janeiro shanty town, and they encouraged his immersion into the world of traditional Brazilian samba. The Parangolé, designed to be worn or carried while Continue reading ‘Colour and space’



Months ago I 
French artist Daniel Buren (b. 1938) uses colour contrasts to create minimal installations, which tend to disorientate whoever happens to walk through them. He likes straight lines, which he paints on large walls, canvas, plexiglas, and various other media. I was lucky enough to visit his show at Centre Pompidou five years ago, and I would recommend to anyone who’s around London to see his new exhibition at 
New season, new trends. Is it just me or bright colours have taken over denim? I suspected it when, walking around Top Shop, all I could see were skinny jeans in red and light blue. Then the snowball effect: they’re everywhere! Personally, I don’t mind the red and blue ones, but I doubt we’ll see many people wearing LIME GREEN high-waisted skinnies (Ksubi jeans). Not really flattering, are they? Guardian’s journalist Hadley Freeman wrote a funny
Italian fashion company
January has been the month of books, so let’s close it with a volume on ‘travels through the Paintbox’. Colour (2002), by Victoria Finlay, is an extensive investigation of the origins and histories of colours and hues through Europe, Asia, Australia, America. Finley, expert journalist and traveller, has an intriguing way of linking different experiences jumping from a continent to the other without loosing the reader’s interest. Raw and beautiful ochre from remote Australia, the mysteries of black and toxic white, red, orange, yellow, green and more.

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Everyone’s talking about it and I’m quite frustrated because I don’t own a TV set and it’s been a while since I went to the cinema. What am I talking about? The new Sony
This year Father Christmas (actually Mother Christmas!) brought me a very interesting book on
Last chance to see Bound for Glory, America in Colour 1939-1943 at the 









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